transhumanism ep is a combination of ethereal and angular sounds, but with many points of reference concatenated between them. starting from the side a, if methodical ear has as its base, a rhythm with an incipit house, but with edgy sounds always in progress, shadow manipulation of mind looks at an utopian techno, together a dense and obsessive hypnotic groove. instead, in the b-side, synapsi sonora-, presents a classical structure, but with kick and snare somewhat in the foreground, with low, evolving, sick and stifling pads in their concept of low-fi timbal. state of induced hibernation is an alien traces in his gait metal percussion and sharp synth, make a song to say the least harsh and unwilling to be defined and confined to specific genres, as in the complex is all this project for ambiwa records.

the return of faetch - four tracks of real 2016 techno earwiggle is the irish techno label from sunil sharpe following the earth-shifting faetch 1, which was played by practically every techno dj worth their salt, tibetan entity faetch returns for the next part in the ongoing saga. sturdy, rolling drums and fiery vocal bursts on jeidge signal early chaos on the a-side, moving onto the pure techno funk of wershif - a definite ear wiggler if ever we heard one. on the b-side faecel is tense, more heads-down fare, not at all dissimilar to cari lekebusch s classic early drumcode material. closing the ep is cargoe , where jittery broken rhythms ricochet off rave stabs and echoed vocals & sound fx. another crucial faetch four-tracker here, for fans of inventive dancefloor techno.

bringing some much needed soul to the party, emotive 001 sets the tone for the imprint, a label that aims to give you more than a quick fix, tapping the listeners emotions with each release. 001 comes courtesy of silk 86 & blamma blamma, a collaborative two track ep, �never think� & �still love� were born from the same studio session and feature the signature flair both parties are known for � percussive grooves, jacking drums and that ear for a hook.

in the past, berlin-based djane miss dica showed with her releases on third-ear-recordings and auftakt records her talent for modern electronic music . now, she opens a new chapter with her new label radio productions and proves that, besides groovy tech-sounds, she is also capable of more harmonic productions. in her first release �out of blue� of her new label, melodic sequences melt together with analog sythesizers. together with her vocals it creates a new signature sound. as external support remixes from the two well-known artists rené bourgeois and lars wickinger complement this release. all in all it is a very colorful release in which everybody will find his favorite.

big remix package of the recently released album of mtd including remakes by bas mooy (mord, clr, 47), subjected (electric deluxe, vault, sleaze, affin), kessell (polegroup, granulart) and vsk (perctrax, planet rhythm, ear to ground). limited translucent red & smokey marbled vinyl with no re-press.

oxia returns with a striking 5 track ep including 2 remixes by visionquest�s shaun reeves and 8bits own steffen deux! the bedrock of french quality techno has already created countless classics that proved themselves against the test of time and with unity ep, he�s bound to to it again. the up and down mixes of �unity� take over with tight drums and rich bass carried by an airy vocal. oxia�s keen ear for detail adds the rest, making them perfect dance weapons for almost any setting. steffen contributes a deeper take on �unity� working with subtle effects and evolving spheres to create that early morning vibe. �soulsa� original and remix by shaun are completing the package with laid-back grooves and a fine tool for darker hours. this quality set couldn�t be more versatile, 2016 couldn�t continue any better!

the new longplayer from kode 9 on translucent green double vinyl, housed in a gatefold sleeve with download code included.

dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.

for our next release we joint forces with our friends from the 31337 crew. the three tracks from echoton unite drifty grooves and organic minimal accents. the second and third piece are collabo tracks with sven laux and pachyderme and they focus on laid back hypnotic groove - like a trippy somnambul session through badlands. keep an ear on the creative output of these great guys! yarn records� third release comes hand stamped in a recycled paper bag with a sticker and a length of 27 minutes. strictly limited to 300 copies.

reissue of dooms 2009 album as deluxe double lp with embossed / debossed, spot-glossed and foil-blocked sleeve.

aside from being the originator and creator of the osmose sound 7inch vinyl record stabiliser, dj osmose is a purveyor of the finest house and disco concoctions, a man who has clearly dedicated his life to both house culture and the vinyl format - we dig. this time hes up on the newly crowned morgan avenue edits, and first up is a collaboration with bydesign, a track entitled red light disco, and one that is a total discoid banger, backed by one hell of a baseline. hazardous disco sees the man go solo and deeper than before, serving up a beautiful, vocal-laden, string-heavy disco joint for the modern ear, followed by the smooth-as-silk groove of i dont wanna know. stunningly fab.

deluxes latest album is called stachelight, their emblematic mustache comes to life in light! in order to recreate the energy that defines the band on stage, each track has been recorded live. at first listen, we recognize the deluxian sound in the modern tunes bonhomme (with nneka) or shoes, the albums single. but deluxe has yet to reinvent itself! as confirmed by the songs baby thats you (with m) and eize your day, with new sonorities, radically pop, or a lheure ou (with iam), the first encounter with french rap ever released by the band! we also discover a great symphonic moment as we enter my world styles and featurings profuse of great quality, this second album stands on solid grounds! stachelight marks the come-back of the most mustachioed band of france!

rezzett are arguably one of the trilogy tapes goto acts. the london duo has previously released a trio of impressive, off-kilter eps of fuzzy house and techno jams for will bankheads much-loved imprint. happily, zik zak is every bit as essential as their previous material, expertly blurring the boundaries between techno, experimental electronics, and distorted hardcore. while the drowsy-but-sweaty hey hugo all sampled vocal yelps, sweeping chords and clattering percussion is probably the most obviously ear-catching of the four cuts, theres plenty to get excited about elsewhere. check, for example, the intricate electronics and eyes-closed loveliness of the title track, and the fluid melodiousness of opener afyon or, for that matter, the comforting bliss of ep closer noklue.

an ep of golden bug on lddlm has been a long-time coming. paths crosses, encounters, similitudes. but it took all of us time to agree on how golden bug should fit into our mortal ethics of fragmentation: we don t want to sound like anybody else, each track on the ep should all sound different. the french but barcelona based producer played our game, anticipating his future and very diverse album with a spook yet catchy 12inch. wild boys was an instant ear-catcher, some proto funk with a very strong vocal by yan wagner that made it sound like duran duran on speedball. it was hard to take it to another level but lord tusk, one of our favourite producers of the emerging -no genre london scene beefs it up, kraftwerk way. its moody as we all are. ik voel je shows the more experimental spaced out side of golden bug, we d call it space rock if we had to. do not neglect l-horloge, it s slow, dark, menacing but it s a real time bomb if tuned correctly.

ftd�s fourth release sees gramrcy whip-up a bunch of typically uk, stripped back, club business. the most ear rattling release on the label to date.

2015 repress , kyle hall is in the full spotlight this spring with releases on hyperdub, 3rd ear, remixes on clone and warp. and also moods and grooves has an exciting release from kyle too with some fresh early works! three phat grooving track track each with its own exquisite quality and soulfulness.

descendants of the deep kick off with the hot from chicago to detroit vol 1 series showcasing masterful trax from jordan fields, vincent floyd, leandre & the grand finale detroit dubz featuring mike huckaby by norm talley known for incredible works on third ear, track mode & dockside. limited.

we are so happy and proud to embark ambient noise level on the mfd ship for the 5th release! a.n.l. is a project from our dear friend daniel sanchez, who has recently been exploring new sonic territories, fetching sounds from the deepest corners of his universe. he produced a masterpiece of an ep/mini album with seven ambient, dub infused tracks, ear candy all the way. enjoy!

nado16 saw stratus take us all the way from the gower peninsula to the adriatic, and now swedish newcomer gryningen beckons us into a sepia dream for aficionado s third 10- special. the latest example of moonboots & boardman s fine ear for talent, the mysterious gryningen appears out of the shadowy stockholmsnatt without a word or a website, on hand to lead us right through the looking glass. the opiated drones of tvu kvarter frun vintergatan set the tone from the off, shifting and shimmering while languid synths lazily embrace you amid the gentle roll of the groovesome rhythm section. as the opener drifts out into the crashing waves, jag flyter omkring i en ask rises from the baltic sea with a lilting sway and understated melody. cosmic sequences sparkle like water in the moonlight and the subtle textures of acoustic guitar and chimes send us deeper into slumber. the organ-led slia dagar i rymdlaboratoriet tumbles down through the ocean murk into a subaquatic terrain of dubby reverb and psychedelic echo, illuminated occasionally by the refracted shimmer of chiming keys. from that moment of nocturnal shade we soar into the light on the swooning, swaying beauty of frun andra hand till strnnderna i nice . born out of the hazy childhood memory of matinee performances and fine white sand, this exotica inspired beauty warms the soul with its cinematic sense of wonder, all told through orchestral intricacy and steady guitar. this is a dream you ll want to have again and again. officially aficionado.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

french producer julien saillenfait (deapmash) is delivering broad shouldered textures and sequences with attitude for the sophomore stale output. from the jump, the picture that the french producer is painting shows really vivid. intrusing rhythms that pierce through ear canals and are nicely propped up by taints of distorting and peculiar vocal cuts.

blendits audio reflections vol. 1 brings together the labels best tracks released over a period of 2 years. since its inception during the autumn of 2013 blendits audio has been a steady force providing the underground drum & bass scene with deep but musical beats, aimed for the dancefloor. head honcho chris harmonics has proven to posses a keen ear for finding the right tracks by established and upcoming artists that blend the rough with the smooth. the vinyl package includes tracks by hydro, dabs, eastcolors, bredren and philth. the digital version of this release will feature tracks by soligen & type 2, mystic state, mtwn and impish as well. over the first 10 releases blendits have broadcast their sentiments with crisp clarity, we look forward to hearing more.

elegies-in-waiting to the monotonous dread of exploitative labour, dosed with elliptical distortion, industrial noise and ear-crushing bass. in the lineage of pan sonic, sun o))), and the more gruelling scott walker productions. vex d veteran roly porter drops by with a sci-fi reinvention of council flat, trading in if s mogadon footwork and megaton polyrhythms for a less apocalyptic, more introspective blend of modern classical, dark ambient and dirty stinking breakbeat. pressing on 180 gram vinyl.

kiko navarro has released on some pretty impressive labels. nite grooves, third ear and even king street sounds to name a few! which makes us very excited to have him as part of plastik people. kiko delivers us some straight up dance floor house killers, first track, bates dance has infectious strings combined with moody drums & rhythms that are reminiscence of early point g sounds that came out on basic recordings back in the day, kiko then follows up with a groovy hip shaking track called camon yo! which will certainly move any floor.

for more than a thousand days and nights, nico stojan tapped away at what is now before us as �twisted manners� - his debut album telling stories in sound that are both electronic in nature and human in touch. each organic sounding track on the release, including their neighbouring interludes, graze on the moments, people and cultures which have encompassed the albums journey and brought it forward to what it is today. these inspirations have merged from moody mornings in foreign lands (�blue hour�) to his love affair with the elements of jazz (�tortured paper�), to the breezy ways of the pacific island people he connects with so much (�maori girl�). these diverse cultures and the passing musicians who have importantly contributed to the essence of the album have built strong yet invisible strings with a myriad of voices and instruments which weave throughout the music giving us a piece of work that is both textured in flavour and rich in motive. twisted manners is a clean example of this - house music whose soft open spaces and gentle beats sway easily through analog sounds coming from string quartets, saxophonists and double bass players to name a few. these collaborations and stojan�s guiding ear will walk you right into the dreamy spaces and faraway places of his travels without you breaking a sweat. seasoned with moments stolen under the fading light of day, long trips into the beautiful nothingness of his eclectic surroundings and respect for electronic music that is both timeless and sincere, ursl records is delighted to present stojan s debut album, �twisted manners�.

dr jayne insane, cutting through the thick mud with a dirty spoon. with three wonderful tunes on each side, this lp kills fascists� well, kills everything in near/in your ear. the noise grows on you. dr jayne insane, aka jan liljovic, aka jan liljekvist is back with another beautiful journey through his distorted mind� comes with a 12x12 inch poster by sten backman, who also made the art and design of the lp.

for the latest slice of magic on the evermore impressive fina white, the organ grinder, aka cayne ramos, continues with a prolific run of releases which has planted his expansive productions straight in the bags of discerning club commanders like move d, brawther, and laurent garnier. showcasing a broad, tasteful musical pallet, studied studio skills, and a sharp ear in the mix, the daily struggles ep is a fine arrangement of house and techno that will find itself at home on the uncompromising warehouse floors, the sun drenched courtyards, and in the darker, seedier moments of the night, when only the strong remain, and the weak have long since departed

mmaudio is happy to add to her family the artist unthone with his first release on the label. he scored his first release with a sound dub with very deep chord. the release named *visionary road ep* consists of 2 original and 2 remixed tracks by kaelan & echoplex. recognition is a track with a deep chord, the remix of kaelan is a very suitable for traveling, accepting is a track that is based on the dub and remix of the echoplex is elegant to the ear.

michigan native dj soko is part of a long line of great technical djs, musical innovators, curators and those who broke key artists and introduced acts that forever changed the landscape of the music scene. sokos ear and ability to put emcees in position for them to shine over the perfect production is never more evident than it is on his debut project released on his imprint left of center. dj soko uses his years coming up in the detroit scene, his experiences djing in his current home (the planet of brooklyn, ny) then blends both of those worlds together seamlessly. the end result is a gritty, boom bap rap album that is equally as soulful and introspective as it is rooted in a blue collar lyrical hip-hop aesthetic. *domino effect* is ultimately brought together by sokos deft cuts and scratches which elevate each composition and make them resonate with listeners even further.
pressing on transparent red vinyl.

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

repress 2015 - the oscillat music label kicks off the marabouda ep, featuring a killer set of deep house grooves from sam. from the opening title tracks, with its breathy chords and jazzy keys, which reference classic chicago house with a uniquely modern flavour, through the joey anderson-like weirdness of -storm refuge- and pumping rhythms of -decoy-, the producer demonstrates his killer ear for classic deep house textures. a must-check release from a label to keep tabs on.

our latest release mila, its not over comes from the mysterious ponty mython (alex). with roots in st. petersburg, he now sends us his latest intricately produced works from his studio in vilnius, lithuania. alex joined the dirt crew family last year, adding his excellent artist name and ear for exotic samples to our �deep love 10 compilation with his track �movin on. first up on this new release is �face down, a cross-continental collaboration with tijuana based tastemaker sebastien vorhaus.

as an artist earl is first and foremost a digger and a selector, crafting sets that meander through the realms of soul, boogie, house and far-flung rarities but his ear and aptitude for knowing what the dance floor wants is seamlessly translated to his dynamic output as a producer. this time around the ever-impressive earl jeffers launches his own imprint, melange, with a groove-laden three-track ep the goose earl delivers a lucid dreamlike cut for the new original in the package, bridge street groove, which sit harmoniously alongside the critically acclaimed re-presses of the goose and let it out to form another blistering collection from the welsh native

second release for black angus records. dj soch s trip continues into the pulsing heart of house music. after the first release which explored the original forms of the sound of chicago, with this release he moves towards another declared love: 90 s new york underground house. everything is brought together by his original, personal touch and careful ear to the freshest sounds of our times. -street groove- is definitely influenced by the tracky sounds of the earliest masters at work, the most inspired todd terry and the most important releases for henry street records. a captivating sample, a drum machine roll and an entrancing bassline: pure house music! the remix by nicholas takes original elements and recomposes it transforming the whole into a persuasive and deep track without losing even a drop of groove. -kick & tom- is the rawest and most direct track in the ep. super funky techno, like a train without stops devastating the dance floor. dj soch is old school that meets new, there is no future without the past. black angus only for dj !

the summer of 2015 sees gruuv celebrate 5 years in the game. we ve put together a brand new compilation featuring 25 of our favourite artists, which will be released as 6 x 4 track vinyl releases every two weeks throughout the summer and features artwork from the renowned victoria topping. each ep will be released on limited edition vinyl, with a free poster and sticker inside, uniquely stamped from 001 - 500. thanks to everyone involved, all around the world. music provides the greatest unity. it strips away indifferences, supersedes language, nationality, culture, all defining human factors, and leaves one common thing we can all interpret sound.

rrose returns to eaux with three new spellbinding techno tracks. *levitate* starts patiently with cosmic difference tones and sub bass bursts leading to the sudden drop of hammering, polyrhythmic drums, while *vellum* is a syncopated, percussion-heavy ride through frequency modulated peaks and belly-churning valleys. on side b, *signs* takes us on an extended journey made up of resonant kicks and inner-ear arpeggios that fold in on themselves until they finally become invisible.

nick the record teams up with dan tyler (idjut boys) for a fresh edits mission, a record mission ! as you d expect from one of the uk s most respected record dealers and an idjut sidekick, these are delightfully obscure but utterly deadly cuts lovingly extended and amended for those of discerning ear, and a lightness of foot
vinyl only - one press

pure badness all over this 1979 jamaican disco-funk odyssey! king sporty should be no stranger to those of you with a keen ear for esoteric underground disco sounds, his tracks have been getting serious play by top shelf, discerning jocks since the 1970 s & his konduko label has dropped many a left-field bomb on unsuspecting dance floors! fire keep on burning is one such bomb, an lp crammed full of unstoppable stripped back island sounds, too many killer cuts to mention but just check out the og version of get on down for starters! an essential & extremely rare record & one that deserves a spot in any self respecting disco lovers collection. %100 heat on here, party jams from start to finish, let s go to the disco!

a nasa satellite has confirmed the ancestral tradition of the -music of the spheres-, that celestial bodies emit harmonic sounds. although the music of the spheres has led first to the notion of universal harmony and then symmetry, it has now been discovered that the sun s atmosphere actually emits ultrasonic sounds and interprets a score formed by waves that are about 300 times more severe than tones that can be captured the human ear. this time, orbe represents these sounds.

from the deep roots of giant trees with longing vines come the drums that flow through ear, heart, nerves and limbs. in soothing yet roaring bewilderment, like the pororoca of rio negro and rio são francisco that carve their ways through the unchartered brazilian land, ricardo vincenzo creates a soundscape of different beats, sounds and voices from the indigenous world. a rhythmic brew with varying monotony that scratches at the doors of perception and seduces our little luise to tiptoe through her sleep walking journey. que noite maravilhosa. limited release with hand-silkscreened sleeve.

red motorbike rips through town again ! 7 inches of pleasure once again, as label mastermind eddie c proves, yet again that his devilishly good ear for a hook is matched with no small amount of skill in concocting a funk-charged mid tempo groove. another keeper in a dazzling series & alot to love in a little package ! pressed in hamburg. stamped personally by eddie in berlin. 300 copies only

vinyl only - one press! nick the record teams up with dan tyler (idjut boys) for a fresh edits mission, a record mission! as you d expect from one of the uks most respected record dealers and an idjut sidekick, these are delightfully obscure but utterly deadly cuts lovingly extended and amended for those of discerning ear, and a lightness of foot

connecticut s jon beall, recording as entro senestre, has gained critical acclaim thanks to brilliant releases on labels like w.t. records, echovolt and l.i.e.s.. on his debut for dekmantel, beall has taken his signature vintage flavors of techno and electro and pushed them into news spheres of the frightening, combining chalky, continuous drum tracks with an ear for emotionally challenging melodies. championing timeless electro-techno that breathes real soul, this four tracker does senestre proud and alters a dynamic ep that is ear-piercing and contemplative, nifty and evocative.

sweet valley is nathan williams (wavves) and his brother kynan, two bongwater-soaked beat geniuses making rap instrumentals that feel like melted playstation games. mndr is a one-of-a-kind artist and songwriter versed in britney and breakcore in equal measure. put them all together with producer peter wade and dance 4 a dollar is the result, a darkly catchy cali masterpiece. sv chop up strip club 808s and woozy synths like they are reclaiming trip hop for the dj mustard era, while mndr explores the underbelly of radio songcraft, finding the creepiness inside champagne anthems and coating tales of teenage nihilists with rihanna-worthy ear candy. decay never sounded so sweet.

exile is the next level basecamp of johannes heil and markus suckut. we at exile know that it is nonsense to write anything about music, because music can only be translated by listeners ear. so close your eyes. dont speak. dont think. just listen..... we are exile. mastering and cut my dubplates and mastering berlin.

bristol s kamikaze space programme joins the trust family with a blistering ep of industrial bass music. stokes croft opens with none other than prolific ninja tune artist emika as a guest, whose haunting vocals turn choke into an ear-catching hybrid of industrial bass electro and gothic pop. three percussive bangers further elaborate chris jarmans philosophy of crafting hard-edged beats from found and self-recorded sounds rather than worn and tired presets, head-strong, futuristic, and ready to obliterate stylistic stagnation with sonic innovation

olde gods is the joint venture of guillamino (bankrobber, third ear, ican, rbma) and jmii (100% silk, hivern discs and former aster member).

dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.
180 gram / vinyl only release.